I love participating in this event. Every year it is so refreshing, full of beautiful energy and so much magick. Thank you to Megan Hewitt from the Wild Hymns, who facilitates this fantastic festival. Watch out for next years date!!
The second annual Yoga Love Festival was held at Amethyst Retreat Center. This year was wonderfully planned to flow in and out of sound, yoga, and art experiences at a beautiful and sacred space.
The first festival was held before the lockdown, and was a beautiful event, but this years topped it.
There were local artist, healers, food vendors, musicians, and dancing!
There was an amazing artist from Pennsylvania that created a performance piece! King Prolific painted this upside down and then lit it on fire to reveal the woman!
There was Yoga, and Love.
Every year I look forward to this event! If you haven’t been, you need to keep your eyes out for it next year!
Inclusion Festival is an accessible music and wellness festival for everyone! Designed to accommodate all ages and abilities, featuring sensory-friendly and empowering live music, immersive experiences, and a large variety of educational and recreational workshops.
Inclusion Festival and our year-round inclusion programs are initiatives of Accessible Festivals, a 501(c)(3) non-profit organization dedicated to making music and recreation accessible to all people.
Inclusion Festival was co-founded in 2017 by Amy Pinder and Leah Barron. Amy and Leah met at a music festival in 2014, where they realized they shared the same passion and vision of creating a festival that welcomed people of all abilities. A few years later, another festival brought them together as they found themselves serendipitously camped next to one another and spent the weekend discussing how to turn their dream into a reality.
Accessible Festivals was co-founded in 2014 by Austin Whitney and Oren Shani. Six months after a car accident that left Austin paralyzed from the waist down, he attended a music festival that left him feeling joy and hope for the first time since his spinal cord injury. He joined forces with his friend Oren and decided to dedicate his life to helping others have the same positive and transformation experience.
Each of our inclusion programs celebrate the value of all abilities through music, art, nature, movement, and more— with a goal of shifting culture at other community events and spaces so inclusiveness and accessibility become the norm.https://inclusionfestival.com/about-us/
My friend, Hex Botanical goddess, Alison Hunley invited me to join her as a vendor. I am so glad I did. It was the most wonderful weekend.
There were many wonderful activities and workshops for kids and adults. It was great that our kids were able to come and enjoy the event with us. They really had a great time doing all of the tasks and workshops. Playing on the playground and enjoying the hammocks! It was a very safe and supportive environment. Reminded me of a festival style Kids Yoga Love festival!
I had a wonderful weekend… from making bags for meals on the go, or watching Element sift for crystals! I also enjoyed doing the silent dance party. It was so fun and freeing. There were fire dancers with amazing performances. Old typewriters that we could write our manifestos on, and decorating the tablecloth with florescent ink.
Lets not forget seeing Kuf Knotz and Christine Elise play again!
It was such a creative and magickal weekend. Dancing and singing and creating with one another and our children. What a great way to bring in this new season.
I am so excited for next year! A beautiful way to bring together community and support one another.
They guided us in exploring the cultural inheritance of one of our ancestries through researching myths, folktales, archetypes, musical instrumentation, and song. By the end of the 6 week course, I had a deeper understanding of the cosmologies/myths/stories held within my cultural lineage. I saw so many connections to my Annishinabe heritage and my Scottish Celtic heritage. I was also able to redefine what having a relationship with my ancestors means for me.
Music as Medicine
The Music As Medicine Project (MAM) was created by Lydia Violet Harutoonian, M.A, lifetime musician and dedicated student of Joanna Macy’s. While pursuing her Masters in Philosophy, Cosmology, and Consciousness at the California Institute of Integral Studies, Lydia entered an in-depth study of some of the history and perspectives that have generated our current planetary crisis. For the past 9 years she has studied closely with deep ecology elder and Buddhist scholar Joanna Macy, learning how we can metabolize our pain and care for the world into profound resilience and energy for action. She is also an accomplished musician who is deeply inspired by folk, blues, and protest music traditions.
We are a collection of all the actions, thoughts, and experiences of those who came before us.
I decided to research my fathers heritage, Scottish Irish German, as I have been very much involved with digging deeply into my mothers heritage, Ojibwe. I have always felt like the magic in me comes from my native heritage. Though I have learned a lot through researching Scottish Irish and German heritages… the Celtic people were very magickal.
Uncovering more information about the cosmology of the Celtic people, I found so many similarities to Ojibwe teachings. From drums, rattles, turtles, and ceremonies. It was a huge realization again, that we are all connected and everything comes from within.
Thank you to everyone who participated in the class, it was so amazing hearing everyone’s journey and being inspired by everything that was uncovered.
“People do meditation to find psychic alignment. That’s why people do psychotherapy and analysis. That’s why people analyze their dreams and make art. That is why some contemplate tarot cards, cast I Ching, dance, drum, make theater, pry out a poem, and fire up their prayers. That’s why we do all the things we do. It is the work of gatherings all the bones together. Then we must sit at the fire and think about which song we will use to sing over the bones, which creation hymn, which re-creation hymn. And the truths we tell will make the song…
…The old woman sings over the bones, and as she sings, the bones flesh out. We too ‘become’ as we pour soul over the bones we have found. As we pour our yearning and our heartbreaks over the bones of what used to be when we were young, of what we used to know in the centuries past, and over the quickening we sense in the future, we stand on all fours, four-square. As we pour soul, we are revivified. We are no longer a thin solution, a dissolving frail thing. No. We are in the ‘becoming’ stage of transformation.”– Clarissa Pinkola Estes, Women Who Run With the Wolves